yes, faces are your strongest. The plasticity of baldie’s face in the telefone panel is fantastic. This panel alone scetched by A. Duerer would be considered a masterpiece.
Scratch that. What I was trying to say is that the entire panel lends itself to tension- from the urgency yet cold-bloodedness of her expression to the rising handgun, the focus of the light- it all comes together to create a scene in one panel that still builds tension both visually and within the structure of the story.
Yeah. That’s what I was trying to say… my edits are always better.
I strongly suspect that the suspense will be broken by an immense cat fight.
😀 😀
Why am I seeing a flying Lana taking this other woman out??? I calls it here and now. 🙂
😀
Nice cinematic style in this sequence of panels. Good stuff. 🙂
Thank you! I appreciate that!
Every panel is awesome. Great layout and composition. Reminds me of SKYFALL which I thought was shot like a graphic novel.
Thank you! I really appreciate that!
yes, faces are your strongest. The plasticity of baldie’s face in the telefone panel is fantastic. This panel alone scetched by A. Duerer would be considered a masterpiece.
Thank you! That’s really kind.
That’s an intense expression in that last panel.
Thank you!
Scratch that. What I was trying to say is that the entire panel lends itself to tension- from the urgency yet cold-bloodedness of her expression to the rising handgun, the focus of the light- it all comes together to create a scene in one panel that still builds tension both visually and within the structure of the story.
Yeah. That’s what I was trying to say… my edits are always better.
Same here- edits make the world go ’round, after all! 😀
Thank you for the kind words, too!